![]() ![]() This saves TONS of time!įield productions are edited using a computer after they are shot. In a studio, the show is edited live through a machine known as a video switcher. The sun is not controllable, but your image is! They’re cheap and make a world of difference in the attractiveness of your finished image. * TIP: You can also get various cloths and reflectors to greatly enhance control over the sun. In the field, lighting will either be natural or from portables with collapsible tripods. All the lights are plugged into a board and are controlled individually by sliders and dials on that board. In a studio, lights are mounted on the ceiling. In a live situation, the photographer runs her butt off grabbing every conceivable shot as the action happens naturally and then this is edited to simulate multiple cameras. Crook, can you shoot the dude again? I was out of focus.) If your videoing some kind of reality situation, like what I did for years in TV news, the action is not repeated for the sake of multiple angles. In other words, field production has always intimidated studio production. Then, all that footage is editing together to simulate the effect you would have gotten had the action been captured simultaneously by multiple cameras, just like what happens in a studio.For fancy field production, all the lights are moved and re-set up in between every camera location.One-camera technique means the action is repeated over and over with the one camera in a new location every time.Most field productions, especially low-budget, are done with one-camera technique. Hollywood movies evolved using one-camera technique.If you are going to do one-camera technique in the field, here are some facts to help you learn how. Computers and wireless transmission are two huge leaps in technology that make video production easier. But you don’t have to be the Super Bowl to take a TV studio out into the field today. The Super Bowl, the mother of all field productions, uses at least seventy cameras along with two huge trucks full of tape decks, lights, microphones, cables, switchers, signal controllers, graphics generators, you name it that extravaganza uses it. ![]() Luckily for us all, video equipment has become cheap enough to let you set-up a studio in a chicken coop!Īlthough you can put a studio in the field, for low-budget video production, field production usually means only one camera and one mic. This can save the low-budget producer a lot of money. These days, the same equipment can be used for both methods. Field production usually requires a lot of setting up and tearing down the equipment. Then again, it might be a $10,000-a-plate political banquet or backstage at a rock concert.Įach situation calls for unique methods but you can always find similarities. Your location might be a doctor’s office, the bottom of a cave or a chicken coop. Field production is always dependent upon the characteristics of your location. Crews are included.įield production means you’re anywhere but a studio. A PBS station or other small outlet is your best bet to get a relatively low daily rate. In a well-arranged studio, everything exists for the sole purpose of staging action and getting it on tape.Įvery major city has professional television studios available for rent by the day. In the control room, the director switches the cameras and sound sources as the action is happening. The action is rehearsed and then done once, using multiple cameras. You set it up once and leave everything in place ready to go.Įverything in a studio is controllable: the lights, the sound, the action. There is a control room with switchers and controllers. ![]() Lights are attached to the ceiling on a grid. Television Studios come equipped with multiple cameras and microphones.
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